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Label:

Edsel

Format:

CD Box Sets

Release Date:

10/10/2025

Cat no:

EDSL0269

Barcode:

740155746933

Genre:

Rock

Sub Genre:

New Wave

Sparks

Sparks: ‘1975-1976’ (3CD)

Sparks: ‘1975-1976’ (3CD)

Sparks

  1. Hospitality On Parade
  2. Happy Hunting Ground
  3. Without Using Hands
  4. Get In The Swing
  5. Under The Table With Her
  6. How Are You Getting Home?
  7. Pineapple
  8. Tits
  9. It Ain't 1918
  10. The Lady Is Lingering
  11. In The Future
  12. Looks, Looks, Looks
  13. Miss The Start, Miss The End
  1. Big Boy
  2. I Want To Be Like Everybody Else
  3. Nothing To Do
  4. I Bought The Mississippi River
  5. Fill-Er-Up
  6. Everybody's Stupid
  7. Throw Her Away (And Get A New One)
  8. Confusion
  9. Screwed Up
  10. White Women
  11. I Like Girls
  1. Profile
  2. I Want To Hold Your Hand
  3. England
  4. The Wedding Of Jacqueline Kennedy To Russell Mael
  5. Looks, Looks, Looks (Live At Fairfield Halls 09/11/75)
  6. Gone With The Wind
  7. Intrusion/Confusion
  8. Looks Aren't Everything
  9. Tearing The Place Apart
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About this release

Following the success of 2024’s 50th celebrations for ‘Kimono My House’ and ‘Propaganda’ and a career-best No. 2 UK chart placing for latest studio album ‘MAD’, Demon are delighted to announce a suite of products celebrating the band’s next two catalogue classics.

The 3CD Sparks 1975-1976 brings together the fifth and sixth studio albums from Sparks (their ’71debut was released under the name Halfnelson) alongside a bonus disc containing single B-Sides, rarities and a live performance. Following the success of their previous releases, Kimono My House and Propaganda (compiled as Sparks 1974 on the Demon 3CD set EDSL0228), this was a period of extraordinary creativity and dramatic change for the group – over the course of the next 50 years we would come to expect nothing less from brothers Ron and Russell Mael.

Indiscreet saw the group work with producer Tony Visconti for the first time (described in Simon Price’s insightful new sleeve notes as “the architect of Glam’s greatest moments”), but confounding expectations they delivered an album where no two songs were in the same style, drawing on influences ranging from Classical to Jazz, music hall to marching bands. And even though it confounded the critics and some fans, it still managed to deliver the hit singles Get In The Swing and Looks, Looks, Looks.

Big Beat followed in October 1976, and saw Ron and Russell move from the UK back to the US, leaving their established backing band behind, ditching the baroque stylings of Indiscreet for something all-together more back-to-basics, with the recording overseen by producer Rupert Holmes. Still three years away from topping the US chart with his single ‘Escape (The Piña Colada Song)’, 1976 also saw him contributing to Barbra Streisand’s multi-million selling soundtrack to The Star Is Born. Quite where an energetic and muscular Sparks’ collection that sat closer to the emerging Punk scene sits in all of this is open to debate.